Four episodes in and this program shows absolutely no signs of sucking. This fact should come as no surprise, because Sunday night’s chapter, “Vatos,” was penned by the writer/creator of The Walking Dead graphic novel series, Robert Kirkman.
Followers of the books (like myself) have to be impressed with how fresh this creative team has managed to keep these stories. Characters who weren’t originally conceived for the comic pages have blended nicely with those who were fully realized for the print version and no one is crying foul. If anything we’re grateful for the brand new revelations. Two such departures from the books are redneck brothers Merle and Daryl Dixon. Merle is openly and aggressively racist, while his brother Daryl seems merely mildly bigoted, but it’s nice to see neither character is a walking hillbilly cliché. Continue reading “The Walking Dead review – 1.4 – Vatos”
From the opening shot of a solitary survivor traveling a desolate thoroughfare, to the closing scene of that same man trapped in an army tank as the camera pulls back to a bird’s eye view of an entire city of hungry zombies honing in on their prey last night’s premiere of The Walking Dead was a tense, emotional and ghastly depiction of a world gone mad. Zombie apocalypse mad.
The series is an adaptation (and judging from last night’s episode, a faithful one at that) of Robert Kirkman’s black and white monthly graphic novel. The comic book series was launched in 2003 and is still going strong, so as long as they stick to the source material and deliver the same caliber of horrifyingly taut entertainment as last night, I have nothing but the highest of hopes for this program. If Sunday night is any indication of the level of programming we’re in for with this show, this is very good news for genre geeks as well as so-called normal fans of quality television. The writing, acting, art direction, special effects, make-up, stunt work and cinematography were all top notch. Continue reading “The Walking Dead Review Episode #1”